Ashvamegh Featured Poet: October 2015 Issue: Bonnie Roberts
Bonnie Roberts is the featured poet for our October 2015 Issue of Ashvamegh. Read her beautiful poems here.
Poems by Bonnie Roberts
Along the Midway
Climb on life’s centrifuge.
Ride for pocket change,
or for free.
Whatever is in your pockets
will fly away.
We each have our compartment
on this fairway ride,
our bare place of metal,
with men and women
who have been drinking
or slamming speed
or going hungry
and without baths
to bar us
and strap us in,
to keep us
from flying away.
We all face outward
to the expanding universe.
But when the machine is still,
we can sometimes look over our shoulder
and catch a glimpse
of a soft blue sweater,
or a hand holding on,
or the white of an eye
a billion years old.
The rest is the comforting whirl
of darkness and stars
and midway light,
tinny music,
cotton candy, sawdust smells.
And a painted horse,
immutable, lacquered,
above our heads.
The Medicinal and Surreal Nature of God, the Day My Father Died
God is crazier than anyone, anywhere,
in any institution,
and I am his follower,
his nurse,
the lady with the shocks
and shots,
bedpans
and neon bags of electrolytes.
I am God’s lover in the linen closet.
His maid in the Borax sheets.
His roped naked lady in the sanitized cage.
His salivating animal-man in the jacket.
I am God’s old woman who delivers
his little bunches of violets that smell
like ozone and plastic straws
to patient rooms.
I am his young man who mops up piss and vomit,
with neither smile nor frown.
I am his surgeon with the rubber gloves and knife,
the glinting eye and dangerous, capable hand.
Where did you put my father, Orderly?
In the hospital green bin?
I am sure your angels are in there, too,
singing songs of praise,
cutting me open,
turning my heart from side to side,
hovering,
my gasps and heaves,
big blood wings, fanning the desire to live.
Like Daddy, I unplug from every socket and tie-down.
And there is Daddy.
Daddy, I say, my Daddy.
And the moon begins its ascent.
I am three
and Daddy lifts me to touch the moon.
God has gone to war
to operate in a hospital in the field
where anesthetics are few
and plasma flown in,
in an ice chest, by copter,
angels whirring in the moonlit blades.
Off the beaches of China,
nurses descend
like snowflakes.
Since I Died
I can sit in traffic
and watch cars go by
like notes
in a stream of music.
The infinite and the finite
exist on different sides
of a green leaf
that hangs from a limb.
One side shiny, the other rough pale.
If you turn it,
you can see the moment,
like you want.
Endless as suicide,
quick as a bee sting.
Quick as suicide,
endless as a bee sting.
A hailstorm can be cold,
or it can be a hot day in a purple garden of petunias
where you walk in squashy earth,
where you find a fat worm to feed
to a sick blue jay nestling.
And cars can be musical notes passing by,
playing something soft and soothing in your head,
that once ached.
The traffic light will become
the green of your cat’s eyes,
surrounded by white fur,
or snow.
Just a blink.
At any tide,
on one leg
or two,
we stand in sun
in St. Joseph Bay
beside our warm-feathered crane,
while
rain falls
on the sleepy tin roof
of childhood.
Jung was right.
Heaven is what you think it will be.
And if you think you deserve Hell,
Hell is what you will get.
I’ve been to Heaven, and I’m there now,
watching its glinting river
until the light changes.
I swim to the left,
downstream
into and across the China Sea,
or to an afternoon
of wild blackberries in wind
that bob
around my front porch
in no particular
direction.
My Family and I Used to Lie on a Quilt Beneath the Pines and Stars on Our Hill and Ask, Who Made God?What Is on the Other Side of the Universe? and Other Unanswerable Questions, And I Grew Up Believing In Mystery
God is fish people
who swim toward the sea.
God is Red Tornado,
who tears up the Earth
and trailer park in Boaz.
God is two blue snails,
quiet and eyeless.
God is sleeping elephant,
with the straight little tail.
God is sun,
the fireball with a tunnel in it.
Some of the fish people
will swim through the tunnel.
On the other side, they will find
Green, a child.
She paints in blue and yellow
on the forest floor of sky.
In a long wooden artist’s box,
clear jars of wet finger paints sit opened.
To whom do the jars belong?
How Hard It Is For Mankind to Tell the Truth
For some:
to search out the face of God,
across The Eleven Universes;
to find one corner
of one of God’s
delta ocean eyes;
to paddle for a million years to the center
of his eye
on a pelican’s amputated wing;
to stay afloat (given God does not blink)
for a millennium
in the liquid galaxies
of one dilated pupil;
to see one dust mote
of what God sees;
to return, by angels, to Earth,
long bereft of humankind;
to live on the bottom of a warm bay
as The Stingless
Ordained Jellyfish.
For others:
to be truthful is much harder.